If you want to pitch music to Spotify playlist editors, timing and clear information matter more than hype. Spotify for Artists gives every eligible artist and team the same submission tool for upcoming releases. A pitch lets editors hear one unreleased track and understand where it might fit. It does not guarantee an editorial placement, but it is the correct free route for sending a new song to Spotify’s playlist team.

Spotify’s current support guidance says to deliver and pitch your song at least seven days before release. Its release guide recommends aiming for at least two weeks, giving editors more time to consider the track. Work backwards from your release date so distribution delays do not remove your chance to pitch.

Spotify support: pitching music to playlist editors

1. Deliver the release early

Upload your finished master, artwork and metadata to your distributor well before the release date. Spotify needs to receive the release before it can appear under Music and Upcoming in Spotify for Artists. Seven days is the minimum for the Release Radar benefit, not a sensible target for sending the music to your distributor. Allow extra time for delivery, checks and corrections.

A simple plan is to send the release three or four weeks early, then check Spotify for Artists as soon as your distributor confirms delivery. If the release is missing, first check the artist profile, title, date and delivery status with your distributor. Do not wait until the final week to investigate.

The Hubb four-week music release timeline

2. Check that the song is eligible

The pitching tool is for upcoming, unreleased music. Spotify says you cannot pitch a song after it has gone live. You also cannot pitch compilations or a song where you are only a featured artist. Spotify allows one active pitch at a time. Once that song is released, you can submit another eligible upcoming track.

This means a last-minute upload or surprise release may limit your options. Decide whether playlist pitching matters for the campaign before choosing the date. If it does, build the submission into your release checklist.

3. Choose one focus track

For an EP or album, choose the song that best represents the project and has the clearest listener fit. Do not automatically pick the first track or the song with the loudest chorus. Consider which track has the strongest story, most accurate genre description and most realistic playlist context.

If several songs feel equal, think about the one you will actively promote. A pitch works better as part of one joined-up campaign, where the artwork, clips, press notes and artist profile all support the same focus track.

4. Describe the song, not your dreams

Editors need useful facts. Explain what the song is about, what it sounds like and what makes this recording specific. Mention a genuine collaboration, unusual instrument, local influence or clear creative choice when it helps. Avoid empty lines such as saying the song will be a hit or is perfect for every playlist.

A useful short structure is: one sentence about the song’s theme, one about the sound, and one about the release plan. For example, you could explain that the track is a dark country song about leaving home, built around live slide guitar, with an acoustic performance video planned for release week. Keep every claim accurate.

5. Select accurate genres and moods

Spotify asks for details including genre, mood and sound. These choices help route music to editors who work in relevant areas. Pick the closest options rather than stretching for a fashionable category. If your music crosses genres, lead with the sound a listener will hear first and use the written pitch to explain the blend.

Spotify’s playlist page says artists can select up to three genres and add information about the track’s sound. Treat these fields as practical labels, not a chance to cover every possibility.

Spotify for Artists: playlisting and pitch guidance

6. Add location and cultural context

Include your hometown, current base and cultural context when they genuinely shape the music or campaign. Spotify says pitches are available to its global editorial team, while accurate location information can help the right local editors discover a track. A clear Shropshire, Birmingham or Glasgow connection is more useful than claiming a worldwide audience you do not have.

7. Submit early and review every field

Open Spotify for Artists, go to Music, choose Upcoming, select the song and complete the pitch. Review names, genres, instruments, mood, location and your written description before submitting. Anyone with Admin or Editor access on the artist team can see and edit the pitch.

Spotify allows edits up to release day, but warns that editors may not see late changes. Submit a complete version first. Aim for two weeks before release when possible and never rely on the final day.

8. Plan for Release Radar and life after launch

Pitching at least seven days early lets you choose the track included in your followers’ Release Radar. Spotify says Release Radar updates every Friday and includes new music from artists people follow, artists they listen to and artists Spotify thinks they may like. Each listener only gets one song per artist each week, and a song can remain eligible for up to four weeks if that listener has not heard it.

Release Radar inclusion is different from editorial selection. Do not tell fans that an editorial placement is confirmed unless Spotify actually adds the song. After release, check the Playlists section in the song’s stats and compare playlist activity with listeners, saves and sources of streams.

Spotify support: getting music on Release Radar

The Hubb guide to Spotify for Artists analytics

Spotify playlist pitch checklist

  • Send your completed release to the distributor early.
  • Confirm it appears under Upcoming in Spotify for Artists.
  • Choose one eligible unreleased focus track.
  • Write a factual description of the theme, sound and campaign.
  • Select accurate genres, moods, instruments and location details.
  • Submit at least seven days early, preferably around two weeks.
  • Review the pitch before release and avoid late rewrites.
  • Check playlist data after launch and record what you learn.

Keep the pitch honest and free

You do not need to pay anyone to send an editorial pitch. Spotify says official editorial placements cannot be bought. Be cautious if a service promises a guaranteed placement or asks for money in return for influence over a playlist. Use the official tool, promote the release to real listeners and measure what happens.

The best way to pitch music to Spotify playlist editors is simple: deliver early, choose one suitable song, give accurate context and leave enough time. A clear submission cannot force a placement, but it gives the track a fair and useful introduction while supporting your wider release plan.

The Hubb guide to Spotify playlists